Latihan Gerak lanjutan

Latihan Gerak intermediete

Gerak Gempa

Latihan untuk Pemanasan. Semua pemain berdiri melingkar. Permainan ini sangat bagus untuk pemanasan. Semua pemain berdiri melingkar saling berhadapan. 

Instruktur atau seseorang menggetarkan salah satu bagian tubuhnya, misalnya kaki, dan kemudian melempar getaran tersebut kepada orang lain. 

Memberdayakan teater di sekolah

Memberdayakan Seni Teater di Sekolah

Teater adalah salah satu cabang seni pertunjukan yang paling kompleks karena di dalamnya memuat beragam unsur seni yang dapat digunakan sebagai media ekspresi estetis dalam setiap karyanya. 

Dengan demikian secara alamiah teater membutuhkan proses kerjasama kolaboratif antaranasir yang terlibat di dalamnya. Karena begitu beragamnya unsur yang terlibat atau dapat dilibatkan, seni teater dapat ditinjau dan dipelajari dari bergaram sisi pula. Ada karya teater yang lebih mengedepankan unsur rupa, namun ada pula karya teater yang mengedepankan gerak, musik, kata-kata atau bahkan meramu semuanya ke dalam satu bentuk pertunjukan.

penguatan karakter pemain/ aktor

Memperkuat karakter seorang aktor

Seorang aktor tentu saja ingin setiap peran yang dia mainkan menjadi kuat dan ber"nas". Sutradara tentu saja telah mengupayakan bagi para aktornya menemukan "jalan" dalam mendekati dan memasuki peran tersebut melalui latihan-latihan yang dilakukan.

Salah satu cara ialah dengan ber monolog. Akan tetapi ini bukan monolog biasa, ini adalah monolog yang bisa menggali apa yang ada dalam benak dan pikiran si aktor terhadap peran, cerita, peran lain, dan berbagai macam hal berkaitan dengan perannya dalam cerita tersebut.

berproses dalam teater

berproses dalam teater

Dalam memainkan naskah drama, berarti kita harus memasuki sebuah disiplin yang khusus, banyak sekali syarat-syarat dan batasan yang harus terpenuhi, tidak cukup hanya bermodalkan ketrampilan vokal, penguasaan fisik, penghayatan peran, dan lain-lain. 

Tidak cukup pula dengan ilmu pengetahuan dan wawasan teater yang luas, referensi

Imprivisasi dalam bermain drama

IMPROVISASI DALAM BERMAIN DRAMA

Improvisasi adalah ciptaan spontan ketika seorang aktor bermain peran.
Menurut Panuti Sudjiman improvisasi merupakan penciptaan seketika, tanpa persiapan atau rencana.

Menurut Ruth Beall Heining ( 1993 : 184 ) improvisasi sebagai aktivitas drama yang dihasilkan secara spontan melalui suatu situasi.

teater payung hitam

Teater Payung Hitam

TEATER PAYUNG HITAM didirikan oleh Rahman Sabur pada 1982, di Bandung. Memasuki usia 28 tahun, kelompok ini telah memproduksi 80 pertunjukan. Dan, merupakan salah satu kelompok terdepan teater modern di Indonesia. Payung Hitam telah menjelajahi kota-kota di tanah air dan berpentas di berbagai festival bergengsi di luar negeri. 

Characteristics and structure of theatrical tradition

Characteristics and structure of theatrical tradition

      Characteristics of Theatre Tradition
Based on the latest development of this form of folk theater, a number of basic characteristics of theater people in general are as follows.

a. The story is presented without a script and worked out based on historical events, fairy tales, mythology, or everyday life.

b. The presentation of the story is done through dialogue, song, and dance.

Basic analysis of drama

Basic Analysis of Drama

      The basic analysis is the study of basic elements that make up the play. In this analysis process, the director of my study of the entire contents of the play and capture the full picture of what the play as written.

      So, in this stage director will read only the author via lakonnya. Essential elements that must be analyzed by the director are as follows.

The play message.
      The message the play is the main communication materials that were trying to convey to the audience. Success or failure of a theatrical performance is measured by whether or not a message to play to the audience. Therefore, the director must find the key message of the play that has been determined.

strength exercise

Pushing against each other

This exercise for body exercise. the body exercise is a first part of acting, so, the strength of body must be practice to make actor's body can do many movements and expressions.

This is very important exercise, above all because it shows physically what the actor’s maieutic (the Socratic process of assisting a person to bring into clear consciousness conception previously latent in the mind) action should be during a forum theater session. The exercise is about using all one’s strength and still not winning!

exercise gesture

move quake

Exercise for heating. All players stand make a circle game which is great for heating. All players in a circle, standing position.

Instructor or someone thrilling one body part, such as legs, and then throw to the vibrations of others. The person must accept it with thrilling part of her body, eg hand, head, or the other. Then he threw the vibrations is to others. So forth.

latihan gesture

Lukisan

Seperti permainan potret keluarga yaitu membentuk gambar atau lukisan melalui pose para pemain.

Seorang pemain maju ke depan dan ia membuat pose tertentu sambil meneriakkan sebagai apa ia, misalnya: “aku adalah pohon” (sambil berpose sebagai pohon).

Pemain lain datang dan melengkapi gambar tentang pohon itu dengan ucapan dan pose, misal: “aku sebagai rantingya”, atau “aku sebagai pagar di samping pohon”, atau “aku menjadi rumah di samping pagar”, dan seterusnya sampai semua pemain mendapatkan gilirannya dan lukisan menjadi lengkap.

theater is easy..

Teaching theater that was easy, because it teaches theater does not have to be a reliable teaterawan, he does not need to be an artist to be able to teach. because teachers are not an artist printer.

Students are not meant to be an artist, but that must be controlled by the teacher is a true understanding of theater and how to teach the method.

Exposure theatrical forms above at least give you an idea, how many alternatives that can be done to teach theater, in accordance with the conditions, circumstances, capabilities and facilities and infrastructure that exist in their respective schools. Theatre is easy, just how creative teachers can teach it.

muscular exercise

The actor as subject: the greek exercise

One actor in the middle and at least seven or eight others around her. He starts a movement and everyone else must help her complete his movement. 

For example, if she lifts a foot, someone immediately places themselves under his foot so that the actor is standing on them. 

The protagonist does whatever she likes and the others help her raise herself up, roll on to her back, strech out on her side, climb to the air, etc, by inserting themselves into the relevant space. 

hypnosis exercise

Columbyan hypnosis
One actor holds her  hand palm forward, fingers upright, a few centimeters away from the face of another, who is then as if hypnotized and must keep his face constantly the same distance from the hand of the hypnotiser, hair line level with her finger-tips, chin more or less level with the base of her palm. 

emotion practice

 

first, create a circular position, trainees are invited to recount the most memorable experience, including sad experience, pleasant, bitter, sweet, sad, happy, lonely, excited in turn.

Capabilities in a structured story is the main target in this training. If able to tell in a structured, then in the theater the actor will be able to build relationships between the characters. 

Realism theater

Realism Acting 
The fact or realist hailed as the two previous streams everything just to touch the imagination, a world of hope, a world of ideas. People want realism then back to the real world. what's on stage is the embodiment of reality.

Departing from the understanding that art is mimetic, art is a reflection of the real world.Flow of realism is divided into two parts; Social Realism Psychological Realism.

A. Social realism is a stream of pure realism. This stream is much discuss the reality of the social environment of a limp, and to submit the protests as a result of social injustice and inequality.

Anatomy of Voice

Anatomy of Voice 

The definition of the material or color the sound is the sound that each person is different. The color of the human voice largely influenced by the high quality of his voice redah region. The sound of children differ from adults.

Breathing techniques and frasering
In vocal technique, there are three kinds of breathing, ie breathing chest, abdomen and diaphragm. In chest breathing, chest thrust as deep breathing. Throat or neck where the sound equipment near your chest, too tense.  

THE UNIQUENESS OF ACTOR

The uniqueness of actor

Actor is the part that meets directly with the audience, directly related, directly viewed in their entirety. The Actor that's make the show live and have soul, so the show to be interesting to see.

Actor also berbeda with another part of artistic crew, another crew could detach himself from his expression tool but not for the actors. Like a stylist setting, he can release his expression tool because he was beyond himself. 

WE AREALL THE ACTORS

We are all the actors

There is an assumption that requires a dramatic play contrived behavior made ​​so attractive. This is wrong. Dramatic play is intended to show reasonableness. 

Acting is an extension of everyday life. our daily stir, talk, interact. Every day we are required to play a lot of "role" in accordance with the environmental context. While the stage is, office, schools, markets, houses, streets and so on. But the ability of expression on the stage different from the daily situation. 

The Body Practice

The Animal Practice 

One good exercise to improve flexibility and imagination of a player is imitating the animals.

The actors has to imitate typical movement of various animals. When imitating monkeys, the movement of his body, his face, and his voice should be like an ape. 

That's a way the actors try to portray the character played by an animal though.